| This anarchic tale of an ambitious anarchist feels like quintessential Wertmüller | |
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| Úkoly, kterými se z ní dostávají jsou vtipné a vážně pobaví | This 10-digit number is your confirmation number |
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1| A není v tom sama,protože zbytek ansámblu ji zdatně sekunduje | Whether it's love, anarchy, activism, or violence Wertmüller's subversive film is calling for its characters to overcome oppression |
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| It starts out well enough, but Friedrich quickly descends into a rant about his favorite topic — the degradation of literature | For more recaps, reviews, and original features covering the world of entertainment, why not and? Or are we happy with our situations and just love seeing people take risks and chances? It almost feels like it was planned to be shot in black and white, which would give the film more visual pop |
As the plot unravels, Wertmüller presents Tunin with dualistic dilemmas of consciousness, one political and one sexual.
26| The first iteration does wrap up the storylines of the characters on a positive note — somewhat | It is Netflix's second Swedish-language series, following |
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| The film ends with a text by Errico Malatesta, an Italian anarchist | After allowing her to verify that the photo is gone, Sofie steals Max's phone, saying she will only return it in exchange for Max doing something fucked up at work |
Later, the duo patches up but what the future holds for them is still unclear.
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