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Gubara, partially aided financially by the government, produced in 1982 the first all-Sudanese long feature Tajooje which he claimed to have made in the Stanley Kramer s way of -dir-ecting Two names were prominent as cinema technicians hired to run the Film Unit: Gadalla Gubara and Kamal M
He then followed up with a docu-mentary masterpiece "The Dislocation of Amber" in 1975 and then "Tigers Are Better Looking" adapted from a short story by Jean Rhys of Dominica and produced by at Beaconsfield Studios, UK

As an example of those who opted to quit the cinema making scene, AbdulRahman Najdi supervises cinema theaters in one of the Gulf countries.

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In 1974 Gubara left the unit to set his own private studio
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He was also one of the -dir-ectors of the prestigious African film festival FESPACO festival panAfricain du cinema du Ouagadougou
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Critically acclaimed Hussein Sheriffe made "The Throwing of Fire" in 1973 out of the calendar discussed above In fact Gubara had some film education in the States and had earned a Delta, Kappa, Alpha certificate of appreciation from the university of South California in 1961
Subsequently the Unit s production was employed in recording national occasions and in producing music entertainment shorts that were shown in mobile cinema projections to people in villages but they were also enjoyed by city-dwellers It was a documentary that was much appraised

This marked the failure of government management of cinema and ushered in private investment.

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Covertly, it was the vehicle for deploying stereotypes as a strategy
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His film Insan has won him an international prize as well as meaningful exposures to Canadian, European and African media makers
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Then came a huge stalemate mainly attributed to the fact that Sudanese cinema, being one of the least developed in Africa, was rarely discussed either by the government bodies concerned nor by the public