It totally depends on the audience and the setting | It doesn't mean only include fact |
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Now, once that we're certain that the logic is solid, then we can start adding moving language to sharpen that argument | She points out that problem with clincher lines is they're often delivered like clincher lines and the audience can feel the manipulation, and they often reject it |
She says instead that the most moving thing in the speech isn't the flowery language, the poetry, the pathos.
Basically, I really want to put all my cards there on the table | Now in other cases, I think more in terms of build |
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I want to make sure they can generally answer those four questions | It doesn't mean though, don't have pathos |
We're going to walk through a few sample arrangement patterns, but you need to make decisions based on your audience.
30Now in some cases, I want the arrangement to be very obvious, and so I'll move to my counter arguments | If it's a friendly audience, I build to the call to action, it feels more like a sermon |
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Now in those cases, I'm going to highlight transitions, I'm going to use those signpost words first, second, so on, so forth | Some of these issues, the audience may already know |
When I'm looking at persuasive speeches, I actually don't have a set pattern for writing persuasive speeches.